
Whilst contemplating the tick-tocking and half-hourly bong-bonging of our new clock (shown right), I was reminded of a quotation in a recent article in the Guardian. Apparently, the 18th century artist Philippe Mercier* once complained:
'People put a pendulum clock on every mantelpiece; they are wrong; what a lugubrious fashion. There is nothing so sad as to contemplate a pendulum. You see your life slipping away and the movement warns you of all the moments which will never return.'
Antique clocks in particular are especially good at reminding us of our own mortality. They bear the marks of prior ownership, reminding us that they've ticked and tocked their way through lives lived long before we were even born. They signal the passing of time, but remain relatively unscathed by it if they are well treated. Assuming that they are cared for properly, they will still be ticking, tocking and bonging long after we've shuffled off this mortal coil.
But that's part of their fascination for me. Where have they been? What have they seen? What stories could they tell if they could talk? They've witnessed births and deaths, celebrations and times of hardship, and they've chimed in countless New Years. They've signalled the times for dinners to be served, babies to be bathed, young ladies to go to bed, young men to go to work. Men, women and children have risen, dressed, left the house, returned to it and gone to bed because their clocks told them it was time to do so.
They regulate most areas of our lives and have been doing so for generations. They mark the passing of time, the movement of present into past; every moment of every day, their ticking signals the creation of history. And they do all of this while we pay them little attention, aside from the cleaning and oiling they get every few years. I don't feel sad when I contemplate the swing of an antique pendulum... I don't dwell on thoughts of my own mortality and mourn time lost. I'm too busy being intrigued by their history and impressed by their unselfish reliability.
Now, if you'll excuse me, one of our clocks just bonged six o'clock... It's time for dinner.
* In the Guardian, Amanda Vickery refers to Phillipe Mercier, but I think she must mean Philippe Mercier (1689 - 1760).